Final SalePhilipp PleinTeddy Bear paisley-print T-shirtMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightswhite/blackcottonteddy bear printpaisley printround neckshort sleevesstraight hemCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.WearingThe model is 1.88 m wearing size LProduct IDsFARFETCH ID: 19903868Brand style ID: FACCMTK6462PJY002N

Etro Fall 2025: Patterns Untamed

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Philipp Pleintattoo-print canvas shortsMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightsblackcottoncanvastattoo printmid-riseelasticated waistbandlogo plaquestraight legtwo side slit pocketsrear welt pocketknee-lengthraw-cut hemCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsRead Manufacturer GuidelinesThe washing method is subject to the commercial washing standardProduct IDsFARFETCH ID: 23626372Brand style ID: FADCMRT1336PTE003N

During his tenure at Etro, Marco De Vincenzo has frequently describes his vision as “maximalist minimalism,” meaning showcasing the fashion house’s textile exuberance via sleek silhouettes and stripped-back layering more attuned to his language and modern times. His fall 2025 collection leaned more into the former term, though, as reading myths about the origin of the world let the designer’s imagination and ornamental impetus run loose. Inspired by the theme, he continued to investigate the origins of Etro, too, unearthing plenty of patterns to exalt with an untamed approach. “My work is like that of an archeologist: I discover, dust off and take [elements from the brand’s] legacy,” said De Vincenzo backstage, explaining that he titled the show “Etro Magma” “because it seems to me that this family has created an incandescent matter that self-regenerates with its strong codes, and I simply tap into different ones every season.” De Vincenzo didn’t hold back in conjuring a plethora of flashy prints of paisleys and botanical patterns, yarn fringes, sequins and furry elements. These blended with a wild, primordial force in a dense lineup paraded against an installation by Roman art collective Numero Cromatico that echoed hieroglyphs and prehistoric cave paintings with its graphic zoological motifs. You May Also Like Animal shapes were reprised in garments and accessories via embroideries developed in collaboration with South Korean artist Maria Jeon, while florals abounded on denim pants, corduroy separates and chunky sweaters that telegraphed De Vincenzo’s commitment to widening Etro’s daywear offering. The designer further emphasized thick jacquards, statement wool furs and frayed trimmings to convey a heavy tactile feeling that contrasted with billowing print dresses, form-fitting ribbed sets and glitzy flourishes that built on the overall ‘70s vibe. The same mood informed the men’s wardrobe via patterned duffle coats, painterly printed suits and monochrome options with a crinkled effect. Beauty Gallery 28 Photos View Gallery Despite the feast of print and texture, the best looks were the ones with a tonal approach to patterns. They showed that sometimes all it takes is just a sparkle.

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